Audio PRO ER-102 UHF Single Channel Wireless In Ear Monitor System With Transmitter and Receiver for Stage, Recording Studio, Musicians, Monitoring (1 Bodypack with Transmitter)

These are great. The sound quality is good but obvs you're better off getting your own headphones bit to really hear things better. The battery life is really good too; we've had four rehearsals before we've had to change ours. Three fit of the headphones is good and they're comfortable enough but your better off swapping them out for the sound quality.I got the four receivers- 2 of them are on one frequency and 2 on another. I've not read the instructions so you can probably change all that but I dunno. They've revolutionised our rehearsals completely. For the price they're spectacular. Just to think you'd pay hundreds years ago and now for less than 200 quid you can get something like this- great sounding. The battery packs clip on nicely and are well enough made. We might get another band member so it's great to know we could just buy another pack and hook it up.Only thing is, cos we can all hear each other really well now, there's no room for rubbish playing haha. I really recommend them. We're a four/ five piece indie rock band. Great.

This monitor system works really well with a latency so low as to be unnoticeable. The earpieces were not the best, but once I replaced them the whole setup was well worth the money. I use it in a home studio situation so don't know how it would perform on stage to be honest, but for what I need it's perfect

Nice piece of kit ,, it is heavy on batteries , though and I would definitely consider factoring in changing the headphones for some decent in ears

Easy to use nice fit

Looking for inears/transmitter with 4 recever packs, then this is the one for you. All too often companies supply 1-2 receiver belt packs and then charge a fortune for additional separate belt packs. Most bands will need 4+ so not fair to not have a wider range of options by the bigger companies. I read the reviews on this and as a band we are pleased with the results. We can all hear the mix, at a good clear sound level. Its saved on stage space not having monitors and I've placed the unit in our racking flight case. I used stereo xlr to jack out to attach to our mixer. The batteries last much longer than other top companies. This product works well for us, so hope it works as well for you too.

I was really pleased to initially buy this as I wanted three units to be able to send out 6 unique mixes (2 per unit)As a UK user, I dutifully paid my £168 Ofcom licence fee for 12 months to use one channel (which should give me 12 bands to play with… BUT…Each unit has two tuners. The first tuner runs from 530.100Mhz to 554.850Mhz but the second goes from 555.100Mhz to 579.850Mhz.Even more infuriatingly, each frequency only allows for 4 increments, ie, 530.100Mhz, 530.350Mhz, 530.600MHz and 530.850Mhz, meaning I can only use 4 of the potential 12 bands in my licensed channel on one tuner. But it gets worse… I will now have to licence an entire second channel at another £168 per year to be able to use the second tuner in each unit! And, even then, I’ll only be able to use the 4 preset bands rather than 12 potential bands. That REALLY sucks.Infuriatingly, it looks like I’ll need to licence a second channel between the 555.100Mhz to 579.850Mhz range. Just to be able to then access a TOTAL of 8 channels from a potential 24! That’s incredibly bad of Debra to not consider this.These units need to allow both tuners to use the full frequency range and more presets to allow for the full channel to be used for those of us paying to use them.All in all, if you’re a UK user, I’d buy something else.

If you only need two channels, it works great! But in our music band, we need six channels, and that’s where the problem starts—they interfere with each other.

Easy to set up, easy to use, work over a long range, quality sound reproduction.