Justice Audio, Video, Disco.

I bought this after listening to it a couple of times on Spotify and thought it sounded quite good. Now I've bought it, it's on constant repeat. I enjoyed their first album "Cross" though it's sometimes hard to listen to all the way through as it's not what I'd call a 'constant' listen - some of the songs are heavy dance and some more chilled, whereas this is a 'complete' listen. The songs are exquitsitely crafted and flow effortelssly into each other and build up and up, to create an album of hypnotising beauty. Yes, it's much more chilled than "Cross" - there are no saw toothed dance anthems here - but the emotional impact of it is just as great, if not greater. When the melancholic synths finally cut in at the end of the "Audio, Video, Disco" it feels sad, like you've just been on some monumental journey and finally have to come back down to earth - fabulous!

I have anticipated this follow up album for a few years and feel very pleased with the acoustic experience it offers. It is often cinematic, electric, eclectic and a good let-play cd. It has some good music references to hard rock, 70s guitar rock and has that Justice feel to it.I am overall very pleased

After the adrenaline-filled house antics of "Cross", "Audio, Video, Disco" understandably ruffled a few feathers, because it's a great shift in focus. But it's a great shift. AVD (as I shall call it henceforth) has a lot more to do with 70s synth pop than French house music. If Daft Punk had gone in a different direction, I could see them making something in this genre. The title means "I Hear, I See, I Learn" and it's so fitting. This album is not in-your-face like its (awesome) forerunner, but a cracking listen that stands on its own merits.I'll be honest, I have never been a fan of the first two tracks, "Horsepower" and "Civilization", both of whom sound anthemic and big but rarely grab me. It's first with the low-key "Ohio" that magic really begins to reveal itself. The song is simpler than even the simplest on "Cross", and is light and breezy, yet oh so captivating. Why "Canon" had to be split in two tracks is anyone's guess, but both parts are very catchy.It's from track 6 onwards, however, when AVD really becomes a winner. "On'N'On" is one of my favourites, with a steady beat and a gripping melody that's interestingly centered on the singer. Racing from "Brianvision" all the way through the supersonic closing track is a gamut of winners. "New Lands" has a very catchy chorus and "Helix" ought to delight even the most jaded "Cross" fans.AVD is a very brave, successful shift in tone. It doesn't try to be a "Cross: Part 2", but rather a stand-alone work that does the synth pop genre (fused with some rock tones) proud.

Cannot be described.

bought as a gift

Fantastic rich sound

love it

:-)

Viene con 2 discos más el CD más de loq.ue esperaba más una canción extra

il disco è un capolavoro del suo genere

Great album but the vinyl is riddled with pops an clicks on the A side. In the beginning of the song Ohio there are some noticeable pops and clicks.I sent it back the next day! Be aware of this if you are considering to buy this album.

Muy buena edición. Cuidada al detalle.Tiempos de entrega cumplidos a la perfección.

While this album lacks the punk rock techno vibes of their first 'Cross' album, I still really like it. The music mostly simulates a mixture of orchestral and rock instrumentation, and it feels like these tracks could be from the score of some epic dystopian sci fi movie from the 70s/80s. It's not often that an artist diverges so much from what I liked them for, and still keeps my interest. Justice are in a league of their own.I also happened to see them in concert promoting this album, it was incredible. Also ear-burstingly loud.