Braveheart [1995] [DVD](Assorted cover images)

Good quality. Blue ray was a bonus.

Very funny in places and gory in other places with gruesome battle scenes.

Great period drama film in Scotland with great actors

Brilliant film , Very well done , and keeps you glued to your seat '

The last time I checked, Scotland was still ruled by London, and is still the domain of the 'British' (actually German) royal family. Braveheart was a huge deal when it first came out. I never really watched the film properly until recently. As a frequent cinema-goer since my youth I was not a part of the mid-nineties cultural phenomenon that was Braveheart's release in Scotland. I did turn up at the the cinema, the old Odeon in Edinburgh, but the queue went round the block (the literal term for a blockbuster) and there was no way in hell I was prepared to wait for three hours on a gray September afternoon (a choice I came to regret). Every subsequent attempt since then was blocked. I never rented the video as I didn't want to watch in pan-and-scan. The fact that every single living Scottish person had seen it apart from myself really got on my nerves, and I was quite bitter about it. And then, as the fever died down, I just kind of forgot about it and moved on. Watching it fully as an adult I think I probably enjoy it more now that I would have done as a teenager. It's certainly a huge epic right up there with the best of them. Mel Gibson captures the pretty side of Scotland wonderfully with his scope photography accompanied by James Horner's bittersweet score. The film never really feels three hours long, the time just disappears. Nearly every notable Scottish actor (apart from Connery and Connelly) appears at some point. From the brilliant (Brian Cox) to the dreary and pretentious (Peter Mullan). Keep a lookout for Tommy Flanagan too, in one of his earlier roles. The battle scenes are impressive, but I wish there were more gory. Gibson's first cut of the film was apparently bloodier, I wish it had remained intact. But despite the grim satisfaction of seeing the English aggressors getting splattered the fact that Scotland IS still ruled by England kind renders Wallace's bravery irrelevant. It may have been 700 years ago, but I hate the fact that he ultimately died for nothing. We DON'T have a country of our own, plain and simple. Maybe one day...in my lifetime. The Blu Ray looks and sound great in 2.35:1 1080p and DTS HD-MA. There are plenty of extra features too.

Time for some people to lighten up. The number of complaints about lack of historical accuracy in this post are a bit overwhelming when one considers that it is a STORY. It's like a tv film "based on a true story" where the operative phrase is "BASED ON". Many contributors have criticised the timing of events in the film or some particularly bad error (like the senior Robert Bruce betraying Wallace), but it's all done in the name of telling an exciting story and it must be admitted that "Braveheart" IS an exciting story. When "Braveheart" was first released in cinemas, I went to see it and there was a guy PICKETING the cinema, handing out leaflets decrying the inaccuracies (especially the part played by Robert Bruce). The scenery is superb (even if it IS Ireland - cheaper than Scotland, apparently), the story has ingredients of history and romance (even if they're sometimes misplaced) and the battle scenes are pretty realistic (they couldn't be anything other than gory, considering the available weapons). Credit must also go to the actors, with a special mention for Patrick McGoohan who steals the show as the particularly nasty English king, Edward I. So what if an amount of poetic licence has been used? It's a story - get over it. For an accurate physical portrayal of William Wallace, Mel Gibson would be unsuited to the role. I suspect that most "Braveheart" viewers haven't been to the Wallace monument near Stirling, but it's highly recommended. A climb up the 246 steps of the spiral staircase of the tower affords a view over the landscape where Wallace is said to have watched the English troops assembling before the battle of Stirling Bridge. Incidentally, Stirling Bridge crossed the river Forth and was only wide enough for two horsemen to ride side-by-side - thus was the battle won - by a gradual slaughter of the English forces as they crossed the river. In the film there is no bridge, and the "Forth" is a small, dry ditch that is easily crossed by a force of cavalry dozens wide. The claymore said to have belonged to Wallace can be seen these days in an exhibition room at the base of the tower. This sword measures 1.63m (5' 4") long and weighs almost 3 kg. A two-handed sword like this would have been used by a man of about 6' 7" tall when the average man in 12th Century Scotland stood around 5 feet tall (source: BBC). Therefore, another example of poetic licence. If you accept that this was a film BASED ON a true story and not a historical documentary, then it has all of the ingredients of a good action drama. It's all about suspending disbelief for a few hours and enjoying a yarn. I suspect that it attracted few students of Scottish history - except those who were desperate to rubbish it. As entertainment, it gets top marks.

Arrived on time and excellent condition. All time classic movie Mel Gibson at his best ,

I have seen Braveheart over 1,300 times. I am not kidding. During my two years at college, I watched it three times a day while doing my coursework. 15 times a week, 40 weeks a year, two years = 1,200 views, plus all of the other views I've had before and after. This is my favourite film of all time. Prepare for a biased review. This is the first time I have ever watched the film on Blu-ray, having only recently acquired a Blu-ray player (an XBOX One), and a TV capable of playing such quality (a Panasonic TXL47FT). I was blown away at the quality that a 1995 film could have on Blu-ray. It is stunning, although in comparison with Oblivion it obviously struggles. As for the film? It's amazing. Hence the Oscar for Best Picture. I can't spoil it for you, but there is yet to be a film that brings out such a wide variety of emotions as Braveheart has done and continues to do for me. It's a rollercoaster of a film, and one that I cannot believe anyone out there doesn't enjoy. Please buy this film - on Blu-ray - if you've never seen Braveheart before, your life is about to change!

In order to maintain the appearence of objectivity, I was going to rate this movie 4 stars. But I just couldn't. It really deserves 5, and it's going to get every one of them. This movie features some of the most stunning cinematography I've ever seen (scenes of particular brilliance include the deer-hunting scene and the slo-mo shots right before Gibson's first rebellion), impeccable acting (I don't know why the British have been hiding their actors from the American film industry - every one of the British/Scottish actors in the film was amazing, and Patrick McGoohan (sp) gave an incredible performance as Longshanks, not to mention newcomer Sophie Marceau), a magical musical score, and on and on and on and on. Physical elements alone qualify this work for the title of Best Picture. Yet, a number of people chastise Gibson and the movie for a number of reasons, primarily its departure from historical accuracy. I do believe these people have missed the point, for I do not believe it is fair to criticise a movie for failing to realize a goal for which it never really strived. I wonder: do these same people criticize Homer's "The Odyssey"? Do historical hardbodies cast aspersions at T.H. White's "Once and Future King" for taking historical liberties with "King" Arthur? (For that manner, any of the hundreds of contributions to the Arthurian legend). What about Robin Hood? Beowulf? Romance of the Three Kingdoms? Why is it copacetic for a book to create a myth around a cultural hero, but when it comes to film we must be expected to be as straightlaced about historical fact as an army bootcamp is about bedmaking and floor cleaning? I have read a lot of reviews below and a number of criticisers of the film's historical authenticity spit out the word "epic" as if it is a word that the American film industry has abused and transmogrified into a catchphrase for luring in gullible American movie-goers. But I argue that Braveheart, and the historical inaccuracies which it adopts (and it adopts many, which are nicely pointed out elsewhere), fit the same formula for "Epic Fiction" that we use to classify great (and I mean, universally accepted as great) epic works of fiction such as the Iliad, the Odyssey, etc. These works are not about who did what where and when and in what fashion. They are about the myth, the hero, and the way that they have influenced the ideals of the culture (italicize that). Was there really a Grendel, a Cyclops shepherd, a Wizard named Merlin, or Chinese war heroes who could single-handedly take on a small army? No. And yet, these works of fiction (and the mythological heroes that they have created) have had as much if not more of an impact on their respective cultures than any real life historical event. The impact of the epic is therefore not to be underestimated. Does the fact that Gibson portrayed the battle of Sterling Bridge without a Bridge really make that much of a differnce? The end outcome was the same, at least from an idealogical point of view. He rallied his men to victory with brilliant tactics against insurmountable odds. The presence or absence of a bridge, naked men, or twenty foot spears does not change that. The myth survives. Finally, regarding historical accuracy, there is the fact that although the movie does take a lot of liberties in order to portray a THEME - I am intelligent enough to suspend my disbelief during the movie. Furthermore, after the movie is over, (and this is a credit to the movie-maker) I was intrigued enough to go do some research on the subject from an objective historical source to find out what really happened. If a work of art (which is not, I remind you, required to be objective - artistic objectivity is almost an oxymoron and film should not be treated differently in this regard than any other form of art) instills in me a desire to learn more about a subject while at the same time portraying well the epic themes it sets out to portray, then in my book it was a successful venture and worthy of all the accolades it receives....Again, this is an epic, and just as a Greek epic might portray the Trojans as ruthless savages and their own members as heroic visionaries, I think it is acceptable for a Scottish epic to do the same to the British. And calling Gibson a homophobic is just ridiculous. Whether or not Edward II was really gay is not important. If he was, then BY THE STANDARDS OF THE DAY, he was an outcast, and would have been perceived, especially by his father, as weak, without potential, and unfit to rule. If he wasn't gay, but was just disinterested in ruling a kingdom (and history is filled to the brim with examples of less than sterling royal progeny), he would have again been seen (especially by his father) as weak, without potential and unfit to rule (because fathers - especially kings - have expectations of their sons), and questions about his sexuality would have naturally begun to arise among the nobility and commonfolk. What we as viewers of a historical or epic piece of artwork must do is refrain from judging said work by our standards. Today, homosexuality is (for the most part) accepted by society. Back then, it wasn't, and the mere rumor was enough to get you rejected from society (and vice-versa). Therefore, in light of the times in which the movie is set, the portrayal of the weak fop of a prince, EdwardII, as homosexual is both acceptable and indicative of the society that the movie was trying to portray. It wouldn't, for example, have made much sense to portray Edward I as gay. Not because a gay man couldn't be a successful King or military leader, but because a gay man would never have achieved respect as a monarch - THEN - by the people or his enemy. In closing, this is an excellent film that deserves its status as a best picture, despite (and perhaps because of) its historical inaccuracies. I encourage anyone with any interest in medieval history to view it, because it might just entice you to look into more historically accurate documents that, while not as entertaining as the movie iteself, will give you a more wholistic picture of what really happened.

Den har några år på nacken men storyn, musik och känslorna finns kvar.

速やかな対応、有難う御座います

Inutile de s'étendre outre mesure sur le film en lui même que la majorité connait. Peut-être pourrait-on préciser que l'on aurait tort de considérer Braveheart comme un autre film à grand spectacle de plus. Tout d'abord parce que Braveheart est l'un des précurseurs de ce "nouveau" genre de production épique brutale. Ensuite le propos est en tout cas engagé et milite pour les droits des hommes très chèrement gagnés. A ce titre, les Anglais (un peu caricaturaux) sont dépeints comme de véritables tyrans (peut-être était-ce le cas) mais certains Ecossais sont également gagnés par la cupidité et la soif de pouvoir. Il ne s'agit pas non plus simplement d'un film d'action et d'aventures. Mel Gibson prend son temps pour planter le décor, installer ses personnages et compter cette tragique idylle qui va déboucher sur le gros morceau de l'oeuvre : une aventure guerrière réalisée magistralement. Tout y est : batailles de masse avec cavalerie et fantassins, prise de place forte le tout de jour comme de nuit. Du très grand spectacle en effet. Les scènes de combat sont filmées avec un réalisme époustouflant desquelles les plus jeunes seront tenus à l'écart. En effet, Mel Gibson ne s'encombre pas de la crainte de la censure, son style est brutal. Cette violence graphique que l'on retrouvera ensuite dans La Passion du Christ et le terrible Apocalypto apporte une fureur authentique et nous transporte littéralement dans l'action. Apport HD : Vraiment satisfaisant. Disons le d'emblée, cette édition Blu ray rencontre réellement mes espérances. Voici un encodage AVC de très bonne qualité qui rend hommage à la splendide photographie du film. Quelques petites faiblesses subsistent cependant : Si la remasterisation est excellente de bout en bout, quelques plans souffrent de certaines caractéristiques sans doute dues à l'emploi de filtres et de réducteurs de bruits : Des arrières plans, quelques portions d'images et des bordures d'écran se floutent de manière variable. Absolument rien de grave, car souvent furtives et très partielles, ses faiblesses ne viennent jamais ternir l'impression générale de grande netteté. Le piqué général est très bon voire même saisissant sur certains gros plans et sur la majorité des plans larges (le village écossais est de toute beauté comme les fortifications anglaises et tous les magnifiques paysages). La profondeur de champ est souvent impressionnante ce qui permet de découvrir des détails inconnus jusque là. La définition générale est donc très généreuse et ne faiblira que très rarement. Notons également l'absence totale de bruit image même sur les scènes sombres parfaitement éclairées et traitées avec le plus grand soin (la prise nocturne du château est magnifique). Les couleurs sont très belles et très naturelles. Le grain argentique est d'une discrétion absolue et pratiquement invisible même sur les brumes et fumées pourtant habituellement difficiles à gérer. Cette édition devient donc instantanément l'édition de référence techniquement nettement supérieure au DVD qui oblige quiconque aime ce film ou quiconque aime les grands films à se le procurer dans ce format de toute urgence. Terminons par préciser que le son est HD en VO mais DTS en VF (tout de même très bon). Le second disque fait le plein de bonus très intéressants. Cette édition bénéficie en outre une fois n'est pas coutume d'un fourreau cartonné avec image quadri et titre en relief d'un très bel effet. Un must !

Parfait !