M-20-C Manji 10-Hole Diatonic Harmonica Key of C | 0

Great beginner harmonica. Playable out of the box, and the composite materials means it's more resistant to water damage than a standard wood comb My Background: I played trombone in high school so I have a decent ear for pitch. I also grew up in the South so I'm used to the sound of a good harmonica. Why the Suzuki rocks and wails: Modern composite construction means the comb will never swell due to humidity or cleaning. The plates are screwed on rather than nailed down, meaning you can easily service the harmonica. Open ("trumpet bell") construction means the Suzuki is easier to play loud. That open construction and composite material also means the Suzuki tends to sound cleaner than other harmonicas, which may or may not be the sound you want to go for. Personally, I love the Suzuki's sound and I know I'll be able to get most of the bluesy grit that I want once I learn better techniques rather than leaning on the harmonica's construction. Comes with a felt-lined case which doesn't fit the harmonica perfectly, but is fine for tossing in your pocket and taking it on the go. The cloth also helps absorb any excess moisture while it protect the harmonica's finish, so I'm sure this thing will play like new for a long time. Versus the Hohner Marine Band: There are a million competitors, but I think most people really only need to look at modern harmonicas like the Suzuki versus the Marine Band. The Marine Band hasn't changed much in the last century for a reason. Inexpensive with a wood comb, this harmonica is so cheap that if a beginner leaves it to rust they can just buy another one. Often requires a little tuning out of the box, doesn't produce nearly as much sound as the Suzuki thanks to a more closed construction, and is nailed down so it is not easy for a beginner to service. Still a great option for people who want that classic sound, but I think most people prefer the Suzuki due to all its modern advancements. Hohner also makes modern updates of the Marine Band if you'd rather stick with them. My only reservations: My Suzuki felt a little off out of the box. In particular, the very low and very high notes were hard to sound at low volume. Since I'm just practicing and not trying to blow away a concert hall this is more of an issue for me than it might be for others. A professional player might also know how to adjust around this, but I as a beginner had to open up the harmonica and bend the reed plates a little to make the harmonica play a little more easily. Ten minutes watching instructional videos online and I was on my way. Overall: With a light tuning to make the harmonica more playable at low volume, my Suzuki is just wonderful. The sound is amazing and accurately tuned. Every time I get confident in an improvement in my abilities I can really turn the sound up to 11 thanks to the open construction and belt out some music as a reward for my training. Highly recommended. Not only am I having a blast playing the Suzuki, but maintenance seems like it will be rare and easy. Totally happy with this purchase.

I have tried at least 14 different harmonicas this past year and a half. There have been very few I liked. Among the harmonicas I do not recommend: by Hohner: Blues Harp (painful to play) and Big River (not airtight compared to most harps I tried), by Lee Oskar: Major Diatonic Harmonica (weak tone, and the top cover plate is uncomfortable on my top lip because of the deep Lee Oskar engraving), by Bushman, the Delta Frost (three reeds blew out within a few months, and I was not playing harshly. I tend to go pretty easy on my harps). by Suzuki, the Bluesmaster (arrived quite dusty.. gross, and I found its width to be uncomfortable), and by Fender, the Blues DeVille (excellent tone, but sharp reed plates and cover plates, also the matte finish on this harp is uncomfortable). I tried the Hohner Crossover, and thought it was good, but not worth the price. As far as I know, the Crossover contains the same brass reeds as cheaper Hohners. Also, the Crossover doesn't feel as good in my hand as the Manji. The build quality of the Manji is better too. The reeds are phosphor bronze, not brass. Also, the reeds have been attached using a different method than most harmonica manufacturers use. If you must have the Hohner tone, go for a Crossover. The Manji tone is a bit more pure and less dirty. I like the Manji's tone just fine, and far prefer this harp to the Crossover. It is more comfortable to hold, is built very well (quite similar to modded Hohners), sounds great, and is cheaper than the Crossover.

I usually use Hohner harps. In particular the Big River and Special 20 and sometime the Marine band. The Manji is really solid, and feels and looks more like the Marine band. My Manji is brand new, and not sure if that's the reason, but it requires a more aggressive attack to get it to perform. Not that that is bad. I like it. I actually think the Special 20 is too soft and loose, and can get away from you. The Manji feels like a precise and solid harp. Has a nice weight, and worth having. You can tell it's inspired by the classic Hohner Marine Band. Very similar in size and design. But like I said it is VERY different sounding than the Hohner. Try it though. It's great.

After mulling over the merits of the Hohner Marine Band Crossover, Deluxe and Classic (not Progressive) Special 20 options (as well as the Seydel 1847 and the Lee Oskar), I selected this beautiful Suzuki Manji diatonic-10 in C. I realize that this harmonica tends to be a little less forgiving as far as a learning curve for beginners than some of the others mentioned, but, that's exactly what I wanted. An instrument that would demand techniques are applied correctly right off the bat. If you can get those down, you can play on just about anything later on. The construction, air-tightness, tone and materials for longevity exceeded my expectations and promises to be an instrument I will play and enjoy for a long time to come. This is not an inexpensive child's toy. It's an item that will demand some basic care on the player's part to keep it in tip-top condition, but offers the serious aficionado an ability for customization down the road, if desired. If you want a quality product you can be serious about -- that does what it's supposed to and sounds the way it should -- and ISN'T just a temporary item to goof around with -- spend a little cash and start off right. You won't lose interest or give up on it altogether! Although any of the models I mentioned above certainly fit the "quality" category, the Suzuki Manji, for me, topped those options. JLD - 4/15/2020

I started playing with harmonicas again almost a year ago. I started with a Hohner Special 20 in C then picked up a couple Marine Bands in D and F. I very much preferred the MBs once I got use to them for several reasons that I've listed elsewhere. I went a long while before getting another harmonica, which was a Lee Oskar major diatonic in G a few weeks back. I was really looking forward to the LO because reviews that made it sound like that was the natural heir to the Marine Band. Honestly I found it to be much more like the special 20 and with things I didn't care for nearly as much as the special 20. It isn't that it was a bad harmonica (I gave it 4 stars) but I went in with such high expectations that I felt disappointed. When I ordered this harmonica I had lower expectations as a result. I've read many great reviews but I took them with a grain of salt. I just couldn't imagine liking a harmonica more than the Marine Bands. So when the package arrived I was excited to have something new, but not as anxious as I was for the LO. I opened it and noted that the case was more like the Hohner style. The Lee Oskar interlocking cases is one of the features I actually liked most about the LO harmonica so that is kinda "meh." but the inside of the case is a slight upgrade over the Hohner. There is a velvet like texture on the interior plastic. It sort of reminds me of the "fur" texture on Skeletor’s Panther toy I had back in the 80s. I imagine it will wear off similarly but it's still a nice touch. I hesitantly raised the harmonica to my lips and noticed the hole size and comb spacing looked more like the Marine Band. While the Lee Oskar advertised larger hole size for easier playing this has a wider comb, which I feel makes it easier for the style of play I learned (deep seated embouchure). I ran slowly up a standard blues pentatonic scale then down. I hit each note correctly so I ran more and more quickly till I was laying down the same tempo (120bpm) that I have been hitting on my Marine Bands. I found the feel of the comb and cover plates in my mouth and hand to be super smooth and comfortable. When I got my first Marine Band I felt like there were a log of hard edges that cut into my hands and lips so I did a slight modification with a sander to smooth the corners. The result was similar to how this harmonica feels out of the box. The difference is this somehow feels "softer." The metal of the cover seems to be similarly polished, but when I touch it there is a smooth, warm feel. The comb is not "Satin anodized, milled, billet aluminum alloy comb" as indicated in the listing when I bought it and while I'm writing this review. It didn't look like it in the images. The comb is a resin compound of some kind. According to Google it is "a solid poly comb that includes wood fiber." I believe that over the listing. In either case it feels good against my lips and I think the wood fiber allows some of the natural resonance found in the Marine Band pear wood combs. It isn't an identical sound but it is a very nice sound. It also looks to be very long lasting a durable. For kicks I looked up the cost of new reed plates (for the inevitable day when I kill a reed). They are roughly $10 less than the cost of a new harmonica. Considering the quality of the rest of the harmonica I figure I'll be getting new plates over a straight up replacement, but worth noting. That said, this isn't perfect. A few times while playing I had the 3 draw stick on me. It acted like something was blocking it, preventing the draw from working. I tapped it on my handed and blew back and forth to clear it and it seemed fine. Then it stuck again. I ended up pulling the cover plate (it's nice that I can unscrew just one side) and made a small adjustment on the reed. After that it has played correctly without any sticking. I had a similar experience with the 4 and 5 draw on the Lee Oskar but despite reviews about similar problems with various Hohner harps I never have had that happen on any of the ones I've owned. Guess I have been lucky with those instruments ... or maybe I am playing the new harps more fervently out of the box without slowly breaking them in like I did with the Hohners. In any case, it is a minor concern and something all harmonicas appear prone to based on what I've read. Learning to adjust a reed is a skill new harp players should learn. Final note: I am definitely excited to try some other Suzuki harmonicas. As of right now this is my new favorite and I could see building a full set with this series.

Suzuki harps are VERY well made. The Suzuki Fabulous($$), Manji, and Olive have long reed-slots, like German harps, for a "bigger, fatter sound with more aggressive punch" (as one review said), and more stable overblowing. The silver-plated Fabulous came first, has a brass comb, and costs hundreds. Then came the signature model, Manji, named after the president, Manji Suzuki, with a new wood/polymer comb (wood sound without warping and leakage from moisture wicking), plus beautiful, though more traditional (not full length) well-vented stainless steel covers. Then came the Olive, named after Manji's wife, with less-vented full-length covers like the Fabulous/Promasters, but in Stainless Steel heat-treated "green" with a black wood/polymer comb. The Manji is compromised tuning, the Olive is Equal Tuned - though it's close. The tuning and covers mean that the Manji is bright and bluesy (blues and rock, chord-focused) and the Olive is clear and warmer (Jazz, Folk, Pop, melody-focused) - though the biggest difference is in the player - who can use either harp for any of these styles. Unlike the Fabulous/Promaster brass covers, the Manji/Olive steel covers work well with magnetic harp stands. The Manji comes with a nice hard case, but the Olive comes with a classy velour pull-string pouch and artsy-box. I recommend the Hohner 3PHC Holster if you need a protective case, https://smile.amazon.com/dp/B0063KSTJ0 (or the zippered single-harp case https://smile.amazon.com/gp/product/B00H8AOKO2) - both have belt clip/loop. All around great harps! I prefer the Olive, but that might change to the Manji depending on the song.

I've played a Hohner tremolo (Echo-harp M57 120 reed) for several decades (non-professionally). I decided to expand and begin using a standard 10-hole model to learn bending and other effects to be able to play notes not available even on my 2X tremolo. I researched both Hohner and Suzuki models extensively. Although the Suzuki is more expensive, the research indicated it was better made and the reeds held up better. The difference in price just wasn't that much for an instrument I expect to use for years. I've now had it a couple of months and practice with it almost daily. It has a strong sound, though somewhat brighter than my tremolo. All the notes play without difficulty or unevenness in volume. After some initial learning curve, I find it bends easily and I can find the non-standard notes without much problem, although I'm still not solid on always hitting an exact bent note on frequency every time. I'm happy with my choice and expect years of enjoyment playing this instrument.

I was seeking a 'next' harmonica after playing a Special 20 for about a year and a half. Just wanted to experiment and see what's out there. The Suzuki Manji was highly rated and touted to be the next generation of harmonica. I opted for the key of A to try something other than a C. I am surprised that a reputable maker does not have the quality control to prevent making and shipping a product that does not work. 2 draw is non existent. If I really pull on it I can get a sound out of it but it is certainly not a note. Beyond that flaw I realized that the rest of the notes required a lot more air flow to cause the reeds to vibrate. I do not play blues or any other genre. I play melody. So this may be a harmonica that a player of blues might expect to be a part of the playing. As a comparison, in playing melody on a Special 20 it is very easy to get a response from a reed thus enabling the playing of a note from something soft and sweet to something powerful. Getting a reed to respond on the Manji requires much more air than a Special needs. Analogous to having to take a giant step to get the reed going and then go from there. That's not gonna work. Perhaps it's due to the reed material. Naturally I'll be sending it back.

arrived within the time specified, great product too

I absolutely love the rich tone and ease of playing of this harmonica. My earlier harps were from a venerable German manufacturer; great tone and feel, but not as smooth and easy out of the box as this Manji was. In fact I bought this A-harp to replace an A-harp from that other maunufacturer that seemed totally impossible to break in fully, over six months!. A friend has the same model and it was rich, smooth and easy from the start, indeed her favourite harp. So maybe mine was an aberation. Suzukis, though, have won my heart - I just bought a Suzuki Promaster and it's incredible! But one more comment on this Manji-A. The Canadian price was good for the fine quality. The harmonica shipped from Japan and took the minimum time expected. It was very carefully packaged, and securely wrapped. I say wrapped because it was like a Japanese gift with a personal note inside, Japanese hospitality at its finest. Thank you Senna of Sasuke Japan!

Je voulais cette harmonica dans la gamme de do. Je n'est pas fait attention au petit "a" juste derrière le nom ce qui fait que l'appareil est en la. raté.

I've played a chromatic harmonica since being given a Hohner over half a century ago, and recently bought a Swan chromatic which I found to be just as good as the Hohners though a fraction of the price. Then while researching Harmonica playing online I discovered the incredible playing of Christelle Berthon on Youtube, and decided to try a blues harmonica, realising that these are a very different instrument, much smaller, and with a different layout of notes in the lower octave. I bought a Swan ten-hole and found that it sounded very quiet and dull. So I thought I would try the Manji as used by Berthon. There is no comparison between the two! The Manji is loud, bright-sounding, and the notes ring out making it possible to get those sweet sounds on straight playing. The reeds clearly have a 'high Q factor' in engineering terms. probably because they are spot welded rather than riveted, giving a firmer better-defined fixing pont with less energy loss. It's even louder and brighter than any of my Chromatics. I can't comment on ability to bend notes as I have a whole new thing to learn here and am struggling! I opened it up and the finish on the reed edges is cleaner than on the cheap Swan. I also like the way the cover plate screws are positioned at the front. Because blues harmonicas don't have a front plate to the comb and the lips overlap the cover plates, it is important that the cover plates seal along the front edge reasonably well. The seal on the Manji is much better than on the Swan, which has central screws and a poorer fit along the edge. Rounded ends on the front of the cover plates also makes more sense than the cruder corners on the Swan. So you don't always get what you pay for - the Swan Chromatic is very good, but in the case of the Manji it's well worth the extra money.

J'ai acheté cet harmo en remplacement de mon classique Hohner Marine Band qui manque d'étanchéité. Ainsi j'ai choisi ce Manji dans le but de palier à ce défaut puisque ce dernier possède un sommier en résine bois du plus bel effet. Ce qui signifie une étanchéité optimale sans pour autant perdre toute la chaude sonorité du bois. Certes, on n'obtient pas le même son qu'avec l'inimitable Marine Band, mais le résultat est plus satisfaisant que sur un sommier tout plastique. Je l'ai également choisi parce qu'il est de la même taille que le Marine Band. Notez tout de même que les capots arrières sont bien plus ouverts sur le Manji et (très) légèrement plus bombés sur l'avant. Sinon c'est quasiment la même chose, excepté le design plus rond, genre cool et confort. Enfin, comme la plupart des harmos récents, il est puissant, véloce et facile.