---
product_id: 3958335
title: "Lonerism"
price: "$49.14"
currency: USD
in_stock: true
reviews_count: 8
url: https://www.desertcart.ec/products/3958335-lonerism
store_origin: EC
region: Ecuador
---

# Psychedelic indie rock vibes Full-length studio album Released Nov 2012 Lonerism

**Price:** $49.14
**Availability:** ✅ In Stock

## Summary

> 🎶 Elevate your vibe with the ultimate psych-rock journey.

## Quick Answers

- **What is this?** Lonerism
- **How much does it cost?** $49.14 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ec](https://www.desertcart.ec/products/3958335-lonerism)

## Best For

- Customers looking for quality international products

## Why This Product

- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Collector’s Essential:** Add a cult classic to your music library that sparks conversations and social connection.
- • **Critically Acclaimed Masterpiece:** Experience the album that solidified Kevin Parker’s status as a visionary artist in the indie scene.
- • **Immersive Psychedelic Soundscape:** Dive deep into Tame Impala’s signature lush, layered production that defines modern psych-rock.
- • **Timeless Indie Anthem Collection:** Own a set of tracks that continue to influence and inspire millennial creatives worldwide.
- • **Perfect for Focus & Chill Sessions:** Curate your work or downtime playlist with sounds that boost creativity and calm the mind.

## Overview

Lonerism is the 2012 full-length studio album by Tame Impala, featuring immersive psychedelic indie rock tracks that have become essential listening for millennial music aficionados and creative professionals alike.

## Description

CD

Review: Outer and Inner Space - Tame Impala’s Kevin Parker once studied astronomy in university, which seems fitting—this plays like a psychedelic space opera, with galaxy-sized guitars playing over percussion that feels like planets colliding. And yet this supernova of sound actually accompanies a lyrical trip to inner space—not the grand destinations, but the common ones, the ones that would feel mundane if they weren’t so artfully rendered. There are forays through familiar territory: love found and lost and never really given, the standard messing-with-my-heart that feels major because it happens to you, even though it happens to everyone. And those songs are actually quite awesome. (The album’s musical high point’s probably the looping “Keep On Lying,” a circular meta-song about the repetitiveness of our character defects, a song whose message is as much in its structure as in its lyrics. “I guess I’ll go and tell you just as soon as I get to the end of this song, to the end of this song, to the end of this song…” he croons, and not only does the lyric deliberately repeat, but the track fades in mid-song and fades out midway, implying that the listener will never get the promised explanation, just a lot of psychedelic guitar pyrotechnics that will hopefully distract them.) But the album has plenty of other things to say about the inner voyage; there are also great meditations on anonymity and stardom, on being special in a generation where everyone was told they were special—and then discovering that you are special, only nobody else knows it, and you don’t know how to deal with all the loneliness that entails. “This could be the day that it goes through. It could be the day that all our dreams come true,” he coos on “Apocalypse Dreams,” and his angst will be familiar to anyone who’s ever waited for the life-changing deal, the big opportunity from the agent or the label, the Email That Will Change Everything. He does know he’s gotta pay his dues first—“I gotta bide my time as a face in the crowd,” he observes on “Gotta Be Above It.” But above and beyond that’s the longing for a truly transformative experience, a chance to pass through a stargate of sorts to a different world, out of the crowd and onto a stage and into our hearts. And yet he has the good sense to not only show sadness about the length of the journey, but worry about whether it’s even worthwhile: “Am I getting closer?” he asks. “Will I ever get there? Does it even matter?” Given all the angst and alienation it’s appropriate, perhaps, that Parker’s from Perth, one of the most isolated big cities on the planet, the far end of the English-speaking world. But it should also be noted that he’s voicing the frustrations of an entire generation. On the basis of his sound and vocal qualities, he’s earned comparisons to John Lennon. To my mind it’s not entirely fair, partly because Tame Impala’s basically a solo project and, for my money, he’s better than Lennon was solo. (Although I’m hardly the first to notice this, it seems that without the input of the other Beatles, there were no checks on Lennon’s arty extravagances.) And he’s staking his own claim as a voice of a generation—albeit a fragmented generation, one where Beatles-like superstardom may no longer be possible because there is no more monoculture, less broadcasting, and instead a multitude of voices howling into the void. It took me a few years to check this album out; I felt like it was being overrated—and there is, after all, SOOO MUCH music to listen to nowadays. Now I’m kicking myself for missing out. It’s retro and futuristic and timeless, and I suspect that when 2020 rolls around, it’ll be on my top ten of the decade.
Review: Best album of last two years - I was a fan of the song "Solitude Is Bliss" from T.I.'s first album Innerspeaker. I didn' t get the album as I figured (wrongly) that T.I. was a 1-hit wonder. About 6 months ago I was tipped off that Lonerism was the best alt-rock record of the year so I decided to purchase it. I don't normally write reviews, but I'm a huge music fan and believe most people my age (40's) are completely lost in the 1970's classic rock scene- I mean I love Floyd and Led Zep too, but after 1000 listens it gets old. Of course the music today isn't anywhere near as fresh as that stuff was back then, but it doesn't change the fact that there are some amazing bands out there that the rock loving public has no clue about, and that's sad. To me, there has been a lot of great music over the last 20 years or so, but only 1 band, that being Radiohead, has transformed music- making 3 completely epic, yet completely different records back to back to back. Which gets me to the point of the review. Tame Impala, to me, has the best chance of being that kind of transformative band. I say that because every song they've put out so far (including the EP and B sides) is simply great. The progression from Innerspeaker which is an amalgamation of great tunes one after the other to Lonerism which flows perfectly from song 1 to 12 is the kind of progression you want in an "epic" band early in their career. Yes, Kevin Parker sounds like Lennon and the music is a psych blend of Beatles meets Floyd meets the White Stripes, but it's uplifting and dreamy. Parker's genius is to hook you constantly with melodies-for instance the 4 minute looping in "Keep On Lying" that any other band attempting something similar would have you hitting the "fast fwd" button after a minute- Parker makes you want even more after the song is over. The guitar riff at the end of "Music To Walk Home By" nails it, the tantalizing drum beat in "Nothing that Has Happened..", the amazing building burst of sounds in "Endors Toi" and the the wild psych ride of "Apocalypse Dreams", which imo is a song that rivals Radiohead's "Paranoid Android". I saw these guys live a few months ago in NYC and it was like going to a Floyd show and will see them again next month, and I can't wait to see what Mr. Parker comes up with on the next album.

## Images

![Lonerism - Image 1](https://m.media-amazon.com/images/I/A1Hxn7+in3L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Outer and Inner Space
*by B***N on May 16, 2015*

Tame Impala’s Kevin Parker once studied astronomy in university, which seems fitting—this plays like a psychedelic space opera, with galaxy-sized guitars playing over percussion that feels like planets colliding. And yet this supernova of sound actually accompanies a lyrical trip to inner space—not the grand destinations, but the common ones, the ones that would feel mundane if they weren’t so artfully rendered. There are forays through familiar territory: love found and lost and never really given, the standard messing-with-my-heart that feels major because it happens to you, even though it happens to everyone. And those songs are actually quite awesome. (The album’s musical high point’s probably the looping “Keep On Lying,” a circular meta-song about the repetitiveness of our character defects, a song whose message is as much in its structure as in its lyrics. “I guess I’ll go and tell you just as soon as I get to the end of this song, to the end of this song, to the end of this song…” he croons, and not only does the lyric deliberately repeat, but the track fades in mid-song and fades out midway, implying that the listener will never get the promised explanation, just a lot of psychedelic guitar pyrotechnics that will hopefully distract them.) But the album has plenty of other things to say about the inner voyage; there are also great meditations on anonymity and stardom, on being special in a generation where everyone was told they were special—and then discovering that you are special, only nobody else knows it, and you don’t know how to deal with all the loneliness that entails. “This could be the day that it goes through. It could be the day that all our dreams come true,” he coos on “Apocalypse Dreams,” and his angst will be familiar to anyone who’s ever waited for the life-changing deal, the big opportunity from the agent or the label, the Email That Will Change Everything. He does know he’s gotta pay his dues first—“I gotta bide my time as a face in the crowd,” he observes on “Gotta Be Above It.” But above and beyond that’s the longing for a truly transformative experience, a chance to pass through a stargate of sorts to a different world, out of the crowd and onto a stage and into our hearts. And yet he has the good sense to not only show sadness about the length of the journey, but worry about whether it’s even worthwhile: “Am I getting closer?” he asks. “Will I ever get there? Does it even matter?” Given all the angst and alienation it’s appropriate, perhaps, that Parker’s from Perth, one of the most isolated big cities on the planet, the far end of the English-speaking world. But it should also be noted that he’s voicing the frustrations of an entire generation. On the basis of his sound and vocal qualities, he’s earned comparisons to John Lennon. To my mind it’s not entirely fair, partly because Tame Impala’s basically a solo project and, for my money, he’s better than Lennon was solo. (Although I’m hardly the first to notice this, it seems that without the input of the other Beatles, there were no checks on Lennon’s arty extravagances.) And he’s staking his own claim as a voice of a generation—albeit a fragmented generation, one where Beatles-like superstardom may no longer be possible because there is no more monoculture, less broadcasting, and instead a multitude of voices howling into the void. It took me a few years to check this album out; I felt like it was being overrated—and there is, after all, SOOO MUCH music to listen to nowadays. Now I’m kicking myself for missing out. It’s retro and futuristic and timeless, and I suspect that when 2020 rolls around, it’ll be on my top ten of the decade.

### ⭐⭐⭐⭐⭐ Best album of last two years
*by J***Z on September 20, 2013*

I was a fan of the song "Solitude Is Bliss" from T.I.'s first album Innerspeaker. I didn' t get the album as I figured (wrongly) that T.I. was a 1-hit wonder. About 6 months ago I was tipped off that Lonerism was the best alt-rock record of the year so I decided to purchase it. I don't normally write reviews, but I'm a huge music fan and believe most people my age (40's) are completely lost in the 1970's classic rock scene- I mean I love Floyd and Led Zep too, but after 1000 listens it gets old. Of course the music today isn't anywhere near as fresh as that stuff was back then, but it doesn't change the fact that there are some amazing bands out there that the rock loving public has no clue about, and that's sad. To me, there has been a lot of great music over the last 20 years or so, but only 1 band, that being Radiohead, has transformed music- making 3 completely epic, yet completely different records back to back to back. Which gets me to the point of the review. Tame Impala, to me, has the best chance of being that kind of transformative band. I say that because every song they've put out so far (including the EP and B sides) is simply great. The progression from Innerspeaker which is an amalgamation of great tunes one after the other to Lonerism which flows perfectly from song 1 to 12 is the kind of progression you want in an "epic" band early in their career. Yes, Kevin Parker sounds like Lennon and the music is a psych blend of Beatles meets Floyd meets the White Stripes, but it's uplifting and dreamy. Parker's genius is to hook you constantly with melodies-for instance the 4 minute looping in "Keep On Lying" that any other band attempting something similar would have you hitting the "fast fwd" button after a minute- Parker makes you want even more after the song is over. The guitar riff at the end of "Music To Walk Home By" nails it, the tantalizing drum beat in "Nothing that Has Happened..", the amazing building burst of sounds in "Endors Toi" and the the wild psych ride of "Apocalypse Dreams", which imo is a song that rivals Radiohead's "Paranoid Android". I saw these guys live a few months ago in NYC and it was like going to a Floyd show and will see them again next month, and I can't wait to see what Mr. Parker comes up with on the next album.

### ⭐⭐⭐⭐⭐ Loved 🥰
*by R***N on September 14, 2025*

Came packaged perfectly with no damage, sound is great as well and was a perfect addition to the collection!

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---

*Product available on Desertcart Ecuador*
*Store origin: EC*
*Last updated: 2026-02-21*