---
product_id: 34358583
title: "Batman: The Dark Knight Returns Book & Mask Set"
price: "$94.05"
currency: USD
in_stock: true
reviews_count: 8
url: https://www.desertcart.ec/products/34358583-batman-the-dark-knight-returns-book-and-mask-set
store_origin: EC
region: Ecuador
---

# Life-size Batman mask included Iconic graphic novel edition Authentic Dark Knight cosplay set Batman: The Dark Knight Returns Book & Mask Set

**Price:** $94.05
**Availability:** ✅ In Stock

## Summary

> 🦇 Own the Dark Knight legacy — where legend meets lifestyle.

## Quick Answers

- **What is this?** Batman: The Dark Knight Returns Book & Mask Set
- **How much does it cost?** $94.05 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ec](https://www.desertcart.ec/products/34358583-batman-the-dark-knight-returns-book-and-mask-set)

## Best For

- Customers looking for quality international products

## Why This Product

- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Deep, Dark Narrative:** Experience a mature, gritty Batman story that explores heroism, mortality, and society’s shadows like never before.
- • **Collector’s Box Set:** A premium combo of the iconic book and mask, perfect for display or exclusive fan collections.
- • **Immersive Life-Size Mask:** Step into Gotham’s shadows with a detailed, wearable Batman mask that elevates your cosplay game instantly.
- • **Award-Winning Fandom Essential:** Join thousands of fans with a 4.7-star rated set that’s a must-have for any serious comic or cosplay enthusiast.
- • **Timeless Graphic Novel Masterpiece:** Own the legendary Frank Miller classic that redefined Batman and superhero storytelling forever.

## Overview

This Batman: The Dark Knight Returns Book & Mask Set features Frank Miller’s groundbreaking 1986 graphic novel paired with a life-size Batman mask, delivering an immersive experience for fans and collectors. Celebrated for its mature storytelling and iconic artwork, this set is a definitive piece for cosplay and comic enthusiasts alike.

## Description

desertcart.com: Batman: The Dark Knight Returns Book & Mask Set: 9781401267742: Miller, Frank, Varney, Lynn: Books

Review: Believe the hype - Doubtlessly one of the most talked about comic book storylines of the past twenty years, its reputation is well founded. While material that was as hyped as The Dark Knight Returns is often ultimately disappointing, or seems outdated decades later, every time one reads The Dark Knight Returns he'd be more convinced that this is indeed a perfect piece of modern literature; and comics, American comics most of all, very rarely got this good. The Dark Knight Returns is one of a handful of graphic novels (e.g. Watchmen, The Sandman and Marvels) that achieve the status of genuine and timeless classics. In the time of its release in the early 80s, The Dark Knight Returns was revolutionary, in every aspect. Frank Miller, already an acclaimed artist for his work on the early issues of Wolverine, already proved himself as a writer in 1984's brilliant and groundbreaking mini-series Ronin, but The Dark Knight Returns in 1986 was his break into the world of mainstream comics, and remains his most important achievement. But while his work on the series was within the world of super-hero comics, and within the financial safety of publishing under the DC Comics banner, Miller took mainstream comics to disturbing new places and super-heroes were never looked at the same way again. Taking inspiration from the groundbreaking work of the Dennis O'neil / Neil Addams team who revolutionized super-hero comics in the late 70s, and from his own former partner Chris Claremont, Miller made super-hero comics darker, more reflective and more mature than was ever made before. For that he took darkest character in the DC Universe, the Caped Crusader himself, and took him 20 years into the future, well into retirement. The new Batman is well into his 50s, sad and tired, and a much rougher kind of hero than he was before. Miller's very modern look on the Dark Knight was disturbing and discomforting to say the least; Dark Knight Returns is not an adventure story, it's a moral examination of his character and the problematic nature of his actions. Never before was Batman judged so harshly by his own author, and it's difficult for the reader to accept it - since, while Batman's actions are here presented as problematic to say the least, if not criminal, but he is also more human and more recognizable than we'd ever seen him before. But it's not just the view of Batman's character that makes Dark Knight Returns so disturbing - it's the view of the world. Miller's future is dark and bleak, and eerily realistic. He goes to great lengths to create a realistic and convincing world, right down to creating a new slang for the new young generation. Through countless minor characters and little stories, each one rounded and well-constructed by its own right, Frank Miller creates a Gotham City we can know, a Gotham we can relate to. It's a city living in fear, a city that's in the grip of a merciless gang more ruthless and vicious than the criminals Batman faced in his prime. In Bruce Wayne's own words, it's a city that's `given up hope, like the whole world seems to have'. And as the city lies in the shadow of the fear of the Mutants gang, so the world lives in the shadow on nuclear holocaust. It is in the middle of this reality that a real hero is proven. And despite all the doubt and all the misgivings, the Batman presented here is more heroic than he ever was. It takes one kind of hero to fight madmen on a daily basis and thwart their diabolical schemes; it takes quite a different one to face himself and the world and not give up. Batman isn't the only character who is given fantastic care on The Dark Knight Returns. Commissioner James Gordon, a character who had become much more important and more sophisticated in the last twenty years, is an important part of the story, and his part in it is fascinating, although more thought would be given to him on Miller's second Dark Knight expedition - Batman: Year One in 1988. The Dark Knight Returns also features a young and energetic Robin, who serves the role that Robin should have from the beginning - to provide contrast to the character of the Batman. Interestingly, though, the death of Jason Todd is often referred to, though it was released three years before Jason actually died in the comic continuity - and even then, his death was decided by a readers' poll. Hmm... Alfred Pennyworth, of course, completes the classic team. As for villains to battle - Two of Batman's most classic enemies, The Joker and Two-Face, return on The Dark Knight Returns - mainly as subplots, and to serve as reflections for Batman himself. This story is not about fighting madmen. There is, though, a grand final showdown at the end, in which Batman fights a surprising enemy... As for the art: Frank Miller's artwork is an acquired taste. So is Lynn Varley's coloring, which is subtle and pale and may seem somewhat outdated to modern readers. Miller's drawing on The Dark Knight Returns is not as impressive and appealing as his work on Sin City, but if you enjoyed his early artwork, especially on Wolverine and Ronin, you'll like this one too. The artwork really is brilliant, if you take the time to see its subtleties. At any rate, on The Dark Knight Returns Miller had the benefit of not only the wonderful coloring of Lynn Varley (who also collaborated on Ronin) but also one of the finest inkers in the world of comics, Mr. Klaus Janson, who contributed to the series beyond words, gave it a lot of its atmosphere and created some of the darkest and most impressive images of Batman and Gotham City. In every possible way, The Dark Knight Returns is a masterpiece. If you like comics, and not just super-hero comics, by all means read it.
Review: Best "comic" I have ever read - It's amazing how well this story, originally written as a 4-part mini-series in 1986, has held up. This story is responsible for the re-emergence of Batman not just as a superhero, but as a tortured anti-hero with flaws that make him no less obsessed than the supervillains he hunts. Not only do we get heaping servings of the dark, obsessed Batman, we also meet an him as an older man, a true "lion in winter" who must come to grips with his mortality and the unstoppable decline of age. Miller allows us to use our hero to percieve the world around us, and in doing so The Dark Knight Returns also ends up as a critique of 20th century society (and 21st, for that matter). Batman is just a few public opinion points away from being considered no different than the likes of Two-Face and the Joker. The relationships between Batman and those he hunts is simply outstanding work by Frank Miller. Generally, there are three types of villains. The first are everyday thugs that are shallow and meaningless both in dialogue and mentality. The second is a savage gang leader. Powerfully built, full of rage and singularly focused hate often seen in the young, this character forces Batman to confront his own mortality and, in an awesome final confrontation, turn to the experience of age for victory. But the most powerful relations come with Batman and his fights with the classic supervillains Two-Face and The Joker. In one really powerful scene, Batman realizes he is equally as tortured as Two-Face, but with one difference: Two-Face feels remorse and despair for what he has once again become (One panel has him actually jumping off a skyscraper, in a possible suicide attempt). He has recieved redemption from society as well as himself, but was unable to maintain it from either. In contreast, Batman, has accepted what he has become, and revels in his darkness. And then of course, there's my favorite, The Joker. We have here an excellent portrayal of a supervillain with no conscience whatsoever, who commits evil deeds not for any agenda or flawed goal, but simply because he enjoys doing them. His ending scene with Batman is another one to remember, and I can't imagine it happening any other way. The supporting cast in the graphic novel are also superbly detailed. Superman is portrayed as equal parts god, innocent child, tortured soul, government flunky, dumb jock, and a lampoon of the comic industry's idea of superheroes as flawless humans. The interesting point is, Miller creates a Superman that is not to be mocked, but understood and even sympathized with. His contrast with Batman benefits the development of both characters. Other characters, including a naive yet gifted Robin, a Gordon who is more fully fleshed-out as a cop than anything you'll see on NYPD Blue or Law and Order, and Green Arrow, who has become the epitome of grizzled in a novel full of grizzled ornery old men. By now, I think you can guess I kind of liked it. Frank Miller has published here a brilliant novel. If the Gods of Hollywood are truly kind, perhaps one day this will be converted into a movie. The excessive use of Batman-as-narrator increases the difficulty of writing a screenplay, but the plot is not only flawless, it is still relevant. Miller, in 1986 mind you, points out how America has a love affair with celebrities (including superheroes), public perception, a fascination with criminals, and how modern media loves to praise heroes (and successful people in general) only to aid in their entertaining downfall from public grace. By the end of the graphic novel, with some of the most original artwork for it's time (notice how good the story is that I didn't even mention how it looks until now?), Miller has us realizing we have experienced a story that explains obsession, public perception, conscience, mortality, and what it truly means to be a hero better than any psychology textbook could, and I am including those textbooks with the pictures.

## Features

- Batman Dark Knight Returns Life Size Comic Cosplay Box Set - Batman Book & Mask Set
- DC
- DC Comics
- Life Size

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #1,807,816 in Books ( See Top 100 in Books ) #634 in DC Comics & Graphic Novels #2,941 in Superhero Comics & Graphic Novels #4,522 in Mystery Graphic Novels |
| Customer Reviews | 4.7 out of 5 stars 2,579 Reviews |

## Images

![Batman: The Dark Knight Returns Book & Mask Set - Image 1](https://m.media-amazon.com/images/I/712WbJ9RCaL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Believe the hype
*by I***T on September 28, 2003*

Doubtlessly one of the most talked about comic book storylines of the past twenty years, its reputation is well founded. While material that was as hyped as The Dark Knight Returns is often ultimately disappointing, or seems outdated decades later, every time one reads The Dark Knight Returns he'd be more convinced that this is indeed a perfect piece of modern literature; and comics, American comics most of all, very rarely got this good. The Dark Knight Returns is one of a handful of graphic novels (e.g. Watchmen, The Sandman and Marvels) that achieve the status of genuine and timeless classics. In the time of its release in the early 80s, The Dark Knight Returns was revolutionary, in every aspect. Frank Miller, already an acclaimed artist for his work on the early issues of Wolverine, already proved himself as a writer in 1984's brilliant and groundbreaking mini-series Ronin, but The Dark Knight Returns in 1986 was his break into the world of mainstream comics, and remains his most important achievement. But while his work on the series was within the world of super-hero comics, and within the financial safety of publishing under the DC Comics banner, Miller took mainstream comics to disturbing new places and super-heroes were never looked at the same way again. Taking inspiration from the groundbreaking work of the Dennis O'neil / Neil Addams team who revolutionized super-hero comics in the late 70s, and from his own former partner Chris Claremont, Miller made super-hero comics darker, more reflective and more mature than was ever made before. For that he took darkest character in the DC Universe, the Caped Crusader himself, and took him 20 years into the future, well into retirement. The new Batman is well into his 50s, sad and tired, and a much rougher kind of hero than he was before. Miller's very modern look on the Dark Knight was disturbing and discomforting to say the least; Dark Knight Returns is not an adventure story, it's a moral examination of his character and the problematic nature of his actions. Never before was Batman judged so harshly by his own author, and it's difficult for the reader to accept it - since, while Batman's actions are here presented as problematic to say the least, if not criminal, but he is also more human and more recognizable than we'd ever seen him before. But it's not just the view of Batman's character that makes Dark Knight Returns so disturbing - it's the view of the world. Miller's future is dark and bleak, and eerily realistic. He goes to great lengths to create a realistic and convincing world, right down to creating a new slang for the new young generation. Through countless minor characters and little stories, each one rounded and well-constructed by its own right, Frank Miller creates a Gotham City we can know, a Gotham we can relate to. It's a city living in fear, a city that's in the grip of a merciless gang more ruthless and vicious than the criminals Batman faced in his prime. In Bruce Wayne's own words, it's a city that's `given up hope, like the whole world seems to have'. And as the city lies in the shadow of the fear of the Mutants gang, so the world lives in the shadow on nuclear holocaust. It is in the middle of this reality that a real hero is proven. And despite all the doubt and all the misgivings, the Batman presented here is more heroic than he ever was. It takes one kind of hero to fight madmen on a daily basis and thwart their diabolical schemes; it takes quite a different one to face himself and the world and not give up. Batman isn't the only character who is given fantastic care on The Dark Knight Returns. Commissioner James Gordon, a character who had become much more important and more sophisticated in the last twenty years, is an important part of the story, and his part in it is fascinating, although more thought would be given to him on Miller's second Dark Knight expedition - Batman: Year One in 1988. The Dark Knight Returns also features a young and energetic Robin, who serves the role that Robin should have from the beginning - to provide contrast to the character of the Batman. Interestingly, though, the death of Jason Todd is often referred to, though it was released three years before Jason actually died in the comic continuity - and even then, his death was decided by a readers' poll. Hmm... Alfred Pennyworth, of course, completes the classic team. As for villains to battle - Two of Batman's most classic enemies, The Joker and Two-Face, return on The Dark Knight Returns - mainly as subplots, and to serve as reflections for Batman himself. This story is not about fighting madmen. There is, though, a grand final showdown at the end, in which Batman fights a surprising enemy... As for the art: Frank Miller's artwork is an acquired taste. So is Lynn Varley's coloring, which is subtle and pale and may seem somewhat outdated to modern readers. Miller's drawing on The Dark Knight Returns is not as impressive and appealing as his work on Sin City, but if you enjoyed his early artwork, especially on Wolverine and Ronin, you'll like this one too. The artwork really is brilliant, if you take the time to see its subtleties. At any rate, on The Dark Knight Returns Miller had the benefit of not only the wonderful coloring of Lynn Varley (who also collaborated on Ronin) but also one of the finest inkers in the world of comics, Mr. Klaus Janson, who contributed to the series beyond words, gave it a lot of its atmosphere and created some of the darkest and most impressive images of Batman and Gotham City. In every possible way, The Dark Knight Returns is a masterpiece. If you like comics, and not just super-hero comics, by all means read it.

### ⭐⭐⭐⭐⭐ Best "comic" I have ever read
*by N***O on January 10, 2005*

It's amazing how well this story, originally written as a 4-part mini-series in 1986, has held up. This story is responsible for the re-emergence of Batman not just as a superhero, but as a tortured anti-hero with flaws that make him no less obsessed than the supervillains he hunts. Not only do we get heaping servings of the dark, obsessed Batman, we also meet an him as an older man, a true "lion in winter" who must come to grips with his mortality and the unstoppable decline of age. Miller allows us to use our hero to percieve the world around us, and in doing so The Dark Knight Returns also ends up as a critique of 20th century society (and 21st, for that matter). Batman is just a few public opinion points away from being considered no different than the likes of Two-Face and the Joker. The relationships between Batman and those he hunts is simply outstanding work by Frank Miller. Generally, there are three types of villains. The first are everyday thugs that are shallow and meaningless both in dialogue and mentality. The second is a savage gang leader. Powerfully built, full of rage and singularly focused hate often seen in the young, this character forces Batman to confront his own mortality and, in an awesome final confrontation, turn to the experience of age for victory. But the most powerful relations come with Batman and his fights with the classic supervillains Two-Face and The Joker. In one really powerful scene, Batman realizes he is equally as tortured as Two-Face, but with one difference: Two-Face feels remorse and despair for what he has once again become (One panel has him actually jumping off a skyscraper, in a possible suicide attempt). He has recieved redemption from society as well as himself, but was unable to maintain it from either. In contreast, Batman, has accepted what he has become, and revels in his darkness. And then of course, there's my favorite, The Joker. We have here an excellent portrayal of a supervillain with no conscience whatsoever, who commits evil deeds not for any agenda or flawed goal, but simply because he enjoys doing them. His ending scene with Batman is another one to remember, and I can't imagine it happening any other way. The supporting cast in the graphic novel are also superbly detailed. Superman is portrayed as equal parts god, innocent child, tortured soul, government flunky, dumb jock, and a lampoon of the comic industry's idea of superheroes as flawless humans. The interesting point is, Miller creates a Superman that is not to be mocked, but understood and even sympathized with. His contrast with Batman benefits the development of both characters. Other characters, including a naive yet gifted Robin, a Gordon who is more fully fleshed-out as a cop than anything you'll see on NYPD Blue or Law and Order, and Green Arrow, who has become the epitome of grizzled in a novel full of grizzled ornery old men. By now, I think you can guess I kind of liked it. Frank Miller has published here a brilliant novel. If the Gods of Hollywood are truly kind, perhaps one day this will be converted into a movie. The excessive use of Batman-as-narrator increases the difficulty of writing a screenplay, but the plot is not only flawless, it is still relevant. Miller, in 1986 mind you, points out how America has a love affair with celebrities (including superheroes), public perception, a fascination with criminals, and how modern media loves to praise heroes (and successful people in general) only to aid in their entertaining downfall from public grace. By the end of the graphic novel, with some of the most original artwork for it's time (notice how good the story is that I didn't even mention how it looks until now?), Miller has us realizing we have experienced a story that explains obsession, public perception, conscience, mortality, and what it truly means to be a hero better than any psychology textbook could, and I am including those textbooks with the pictures.

### ⭐⭐⭐⭐⭐ One of the best novels of the last 30 years
*by F***L on January 28, 2012*

There are few things in any form of media which can be truly seen as a classic and a must see or a must read. This graphic novel is one of them. While there are many graphic novels which are great and there are many characters in the universes of marvel and DC comics few are as iconic as Batman. This book not only takes a different look on this iconic character but also greatly expands on him. The first part of the book explains the story which we all know so well - Bruce wane's parents are murder, which makes him the vigilante which we know as batman - however the major change is that this Bruce Wayne is not the young playboy which he is usually portrayed as but instead a retired businessman whose far past his prime. This dynamic changes greatly how we see the dark knight and even what he can do. It shows our hero bitter and incapable to do many of the things he had done formerly and even show some humanity by appearing out of breath and needing to take a rest after a hard nights work. This also expands to some of the more brutal and some of the most - one could say blastphemous - intense scenes in the book. The art style of the book is unlike what was going on during this time - and the time after this - in comics. Rather than move more and more towards realism he moved more and more towards a "cartoony" and more comic bookesque than picturesque things that were directly after this. The colors aren't as vibrant as the older books but the drawings are much more like it, and the colors themselves are muted and the few drops of color they depicted mean a lot and stand out clearly from the rest of the art. The characters also depict their strength and their importance in the plot: batman and his direct enemies and allies are physically gigantic and the civilians and the rest of the minor characters are depicted as small and weak. Effectively everything in the book is great and i think that it should be a must read to anybody who likes a good book.

---

## Why Shop on Desertcart?

- 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016
- 🌍 **Shop Globally** — Access 737+ million products across 21 categories
- 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price
- 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members)
- 🔒 **Secure Payments** — Trusted payment options with buyer protection
- ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews

**Shop now:** [https://www.desertcart.ec/products/34358583-batman-the-dark-knight-returns-book-and-mask-set](https://www.desertcart.ec/products/34358583-batman-the-dark-knight-returns-book-and-mask-set)

---

*Product available on Desertcart Ecuador*
*Store origin: EC*
*Last updated: 2026-01-24*