---
product_id: 18978439
title: "Milk Man"
brand: "deerhoof"
price: "$160.17"
currency: USD
in_stock: false
reviews_count: 5
category: "Music"
url: https://www.desertcart.ec/products/18978439-milk-man
store_origin: EC
region: Ecuador
---

# Milk Man

**Brand:** deerhoof
**Price:** $160.17
**Availability:** ❌ Out of Stock

## Quick Answers

- **What is this?** Milk Man by deerhoof
- **How much does it cost?** $160.17 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.ec](https://www.desertcart.ec/products/18978439-milk-man)

## Best For

- deerhoof enthusiasts

## Why This Product

- Trusted deerhoof brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Description

Product Description
        	  
        	  
        		  
        			Swamp orchestras. Filmic tempo. Trans-continental by train!
				    	
			    	
        		  
        		  
        	
          
              
        	  	  Review
        	  
        	  
        		  
        			...On Milk Man, Deerhoof harness all they&apos;ve learned from their previous experiments, and written what may be their first truly conventional songs. Here, they&apos;ve focused their maniacal energy into seriously dense and carefully considered songwriting; even the cleaner and deeper production betrays Deerhoof&apos;s commitment to letting the songs speak for themselves, and to keeping individual parts as precise and undistracting as possible. Greg Saunier&apos;s drumming is the most restrained I&apos;ve ever heard it, while Chris Cohen and John Dieterich-- who are of such one (brilliant) mind that in concert they can play in perfect tandem without ever looking at each other-- find themselves more concerned with static harmonies and more dominant of their precious miasmatic outbursts. Satomi Matsuzaki, meanwhile, has improved considerably as a singer, and is now capable of delivering remarkably complex vocal melodies. And with more developed vocal melodies comes Deerhoof&apos;s first crack at meaningful lyrics: Over the course of this record&apos;s 11 tracks, Satomi narrates a coherent (if somewhat disturbing) story about a milk man who kidnaps children and hides them in the clouds.So is this Deerhoof&apos;s best? Is Milk Man, as SPIN remarked, &apos;&apos;a perfect album?&apos;&apos; It isn&apos;t, unfortunately, but the album plays host to what are easily some of Deerhoof&apos;s best songs, conventional or otherwise. Four-minute opener &apos;&apos;Milk Man&apos;&apos; -- longer than nearly every other song Deerhoof has recorded-- is as much a statement of the album&apos;s overall tenor as it is of the band&apos;s change of pace: Unaccompanied guitar lines interact confidently, building sparse but lush harmonies that together function as the song&apos;s recurring theme. The keyboard, which was noticeably absent from Apple O&apos;, returns here with remarkable subtlety, a respondent to Satomi&apos;s pristine melody. The internal interactions within the song-- as opposed to the external reactions of the band members-- are the focal point of &apos;&apos;Milk Man&apos;&apos;, possibly Deerhoof&apos;s finest moment...Milk Man is certainly not some point of no return for Deerhoof-- they certainly aren&apos;t locked into writing in this more conventional style, just as they weren&apos;t locked in after the similarly song-oriented Holdypaws. The band is too committed to growing as musicians and writing better songs not to revisit the rambunctious Reveille and Apple O&apos; woodsheds for inspiration. Milk Man not only testifies to how potent those sessions proved, but also to how successfully the band can step back and craft those rabid ideas into impressive songs without devitalizing them. --PitchforkDeerhoof follows Apple O&apos;, an album that won the group ever-growing critical and popular acclaim, with Milk Man, an album even more conceptual and song-oriented than its predecessor. Inspired by the spooky yet adorable work of illustrator Ken Kagami -- whose art graces the album&apos;s cover and liner notes -- Milk Man tells the tale of a masked, pied piper-like being who lures children into his dreamland and then traps them there. The vision and the visuals surrounding the album are a perfect fit with Deerhoof&apos;s music, and, perhaps befitting Milk Man&apos;s status as a concept album, this time around the band incorporates more prog rock-like keyboards and other electronics into its sound. The pretty ballad &apos;&apos;Dream Wanderer&apos;s Tune,&apos;&apos; with its lyrics about kings in castles in the sky and its playfully elaborate keyboards, exemplifies Deerhoof&apos;s move to more intricate, contemplative music. Since the album is relatively restrained, it&apos;s not quite as buoyant as Apple O&apos; or Reveille, and it lacks a little bit of the delirious overload of Deerhoof&apos;s earliest work, but that doesn&apos;t mean that it&apos;s less distinctive. &apos;&apos;Desaparecer&#xE9;&apos;&apos; is one of Milk Man&apos;s best and most unique tracks, mixing clicking and shuffling electronic drums with sugary synths and Spanish lyrics into a very different take on electronic pop; &apos;&apos;Dog on the Sidewalk&apos;&apos; consists mostly of bubbling and fizzing electronics and Satomi Matsuzaki&apos;s deceptively simple vocals. Milk Man does have its fair share of noise, particularly on the instrumentals &apos;&apos;Rainbow Silhouette of the Milky Rain&apos;&apos; and &apos;&apos;That Big Orange Sun Run Over Speed Light,&apos;&apos; as well as on &apos;&apos;Song of Sorn,&apos;&apos; which starts out as a burst of noise and ends up oddly, but distinctly, poppy. This poppiness is responsible for many of Milk Man&apos;s best moments, including the sunny title track and &apos;&apos;Milking&apos;&apos; -- which are among the most straightforwardly melodic songs Deerhoof have ever written -- as well as the sweet final track, &apos;&apos;New Sneakers,&apos;&apos; which does indeed capture the childlike glee of new shoes in lyrics like &apos;&apos;Skipping all over with these shoes/Oh speed.&apos;&apos; Milk Man isn&apos;t all sweetness and light, though: Greg Saunier&apos;s lumbering drumming adds an extra edge to the monster party that is &apos;&apos;Giga Dance&apos;&apos;; &apos;&apos;C&apos;&apos;&apos;s brittle vocal melody is mirrored by guitars that are pretty at first but then turn loud and thrashy. But even in its louder moments, Milk Man is a surprisingly subtle album, and one that takes Deerhoof&apos;s music in quietly exciting new directions. --All Music Guide

## Images

![Milk Man - Image 1](https://images-na.ssl-images-amazon.com/images/I/713fXPtYXhL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 







  
  
    Fantastic Album
  

*by C***M on August 14, 2013*









  
  
    This album had quick shipping at a price that was very reasonable. I was very satisfied with my purchase of this album. The only thing lacking was a tracking number, but the package made it just fine.
  


### ⭐⭐⭐⭐ 







  
  
    Rainbow Silhouette of the Milky Sky
  

*by C***. on June 27, 2007*









  
  
    Such gorgeous imagery! That's Deerhoof for you. A kick in the teeth and a slap in the face, shifts Music in many different shapes and colors. Let your mind open up a little. Sure, Deerhoof can sound like a quirky indie band, possibly a little nuts, but seriously Deerhoof is one of the most innovative and interesting bands that my ears have ever heard!Their best works are between 2002 - 2007 (so far).Yeah, some including other reviewers here may write them off as a weird, bizarre heavy type of schizo rock band, which in a way they are, but to me Deerhoof is much more. No band today is nearly as creative as they are. -Highly noisy yet playful.Wonderful upbeat melodies like the title track/opener -"Milk Man"- possibly the best and standout song out of the 11 tracks here.Short songs that are catchy and of course I love Satomi's beautiful (Japanese) voice. This is one of her best. Also check out 2002's 'Revielle'Deerhoof creates energetic electric indie pop that to me, never gets dull or boring. They release good music that eventually pulls the listener in, blending noise and melody better then most bands today.- If you are New to Deerhoof, you can't go wrong with "Milk Man"It makes the perfect introduction even if it sounds a bit zany after a few listens, give it another try, for Deerhoof is my Favorite band churning out the best music this millennium.  ~Four and 1/2 Stars~
  


### ⭐⭐⭐⭐ 







  
  
    Udderly Great
  

*by A***A on September 26, 2004*









  
  
    source: [...]San Francisco's Deerhoof have been around for ten years and in the meantime have released five albums. One website describes their music as cuddly and chaotic, a very apt description indeed.Deerhoof really hit public consciousness with their fourth album `Apple O' (2003) and the infectious `Panda Panda Panda'.Safe to say that Milk Man is a natural progression on that previous effort. `Milk Man' is more focused, with the loud bits in all the right places this time. In fact the album even has a theme - a mysterious hooded milkman who lures children. One has to admit that the idea of a theme has never really been part of Deerhoof's repetoire!There are many treats hidden in this album - the bleepy `Dog on the Sidewalk'; the both creepy and beautiful `Giga Dance'; but undoubtedly the best track here is `Milking', with its big drums, cascades of guitar-shred noise and the nursery rhyming lyrics. Probably the best thing the band has done to date (yes it even surpasses `Panda Panda Panda')So far so good - but I do have a feeling that album number six will be the one to break through and make them alternative household names. And if they don't? Who cares, you still have Milk Man!
  


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*Product available on Desertcart Ecuador*
*Store origin: EC*
*Last updated: 2026-01-29*