Memento & Following

There’s not much I can say that’s haven’t been said before. Memento has changed things forever, and reading this Oscar-nominated script can only educate every aspiring screenwriter for the better.Highly recommended.

In a conversation with a friend of mine a while back, he told me he didn't understand why people liked "Memento" so much, he said all the film had was a "gimmick."To which I replied, "it may be a gimmick, but YOU try writing a script with a gimmick like that."The "gimmick" is the non-linear progression of the story that Christopher Nolan uses in both of the scripts in this book, "Memento" and "Following." It's an experimental style of storytelling, to be certain, but it's a successful experiment. Both scripts, "Memento" in particular, show events not in the order they happen, but in the order of importance, and it's a brilliant way to tell the story. Nolan's a magnificent screenwriter -- can't wait for his next one.

Good quality book but the black and white pictures are a little dark. Still a good book if you're a Chris Nolan fan.

I have been saying this for a few months: "Memento" is my favorite movie. As soon as I found out that you could buy the screenplay for the movie, I knew that I had to have it. Normally, I wouldn't care to see the screenplay for many movies, but this was a very big exception. I loved the movie so much that I wanted to see how it looked on paper.A little warning: The script is NOT word for word to the movie. Some parts are different in many ways. The order of events are a little different and a lot of good lines that were in the movie were not included in the screenplay. Is this a bad thing? OF COURSE NOT! In fact, it was a great surprise. This was what the movie was going to eventually lead up to looking like. It was a rough layout of what could happen in what order. Of course, things change when you're filming the movie. Certain scenes are changed or cut out, lines are either trimmed or dramatically changed, and so on. The story in no way is changed and the resolution is still very much the same as the movie. The point is that it's fascinating to see how the script developed into the finished product, which is a masterpiece of a film that should go down as one of the greatest films in history. I loved reading the screenplay, and it makes me admire how the film turned out in the end even more.Another movie that is included in this wonderful book, a movie you might have never even heard of, is "Following." This script was a little more similar to the movie in most parts than "Memento" was. I also enjoyed reading that part of the book. I have seen the movie before hand, so I kind of knew what I was in for. Again, this screenplay is filled with sharp and witty dialogue and life-shattering consequences that won't appear visible until the shocking conclusion.Another cool feature of this book is that it includes an interview with Christopher Nolan and one of the stars from "Following." It also includes some photos from both movies and how the idea for "Memento" came about.Christopher Nolan has a talent when it comes to forcing characters to face severe consequences and ugly truths, as well as coming up with great dialogue that can only be created by a pro. He can also manipulate time and make it confusing for us as well as for his characters. If you have seen the movie or movies, get this book as soon as you can. I recommend that you see them first, then read the book. All in all, this was a terrific read and I look forward into reading it again and again.

I thought MEMENTO was good, not great, and pretty much forgot about it right after seeing it. Someone bought me this book a while back and I just got around to reading it.I have to say, I have a new found respect for Christopher Nolan and will take another look at MEMENTO. These are two excellent screenplays that go well beyond experimentation in narrative structure to tell two solid (almost old-school film noir) stories.I'll start with FOLLOWING, which I've never seen. It's a twisty little number about a would-be writer who likes to follow people. The writer makes the mistake of following a cat burglar one day and gets sucked into his world. The timeline is fractured, but it's a compelling read all the way through, and a great example of no-fat, pure-story screenwriting.MEMENTO, for anyone who doesn't know, is a story told backwards to mimic the disability of the central protagonist, who is incapable of making new memories. It's a mystery told in reverse, not unlike the structure of OEDIPUS REX (think about it) albeit without patricide or incest. Ultimately what I got out of it by reading it not seeing it is the fun of trying to figure out the story, of using clues to work backwards to causes. Without the extraneous visual information of a film, the naked story on the page seemed to accumulate greater dramatic force. Since it was a while since I saw the movie, I found myself wondering what was going to happen next (i.e. before) -- it was the gripping mystery experience many people had who first acclaimed the film.Even though the stories aren't told in a linear fashion, for aspiring writers this book is worth looking at for more than structure. This is quality writing. The stories are lean and full of metaphysical implications (in the least pretentious sense). Good stories, well told.The book also includes an interesting interview about the making of FOLLOWING and a less interesting "piece" about MEMENTO's conception, which is just two juxtaposed paragraphs of Chris and his brother Jonah's conflicting memories (get it?). They are icing on the cake of what has to be one of my favorite recent Faber screenplay releases. 5/5 stars

Good product.

This has got to be a Cult classic by now. Common parlance? Magic movie - total metaphysics meltdown!

A good book with some useful behind-the-scenes type information.Good font and paper quality.