TONOR Isolation Shield Pack for Mic, High Density Absorbent Foam Shield with Pop Filter & Tripod Stand, Foldable Design, Suitable for Blue Yeti, AT2020, Recording, Podcasts, Singing, Broadcasting

I have good experiences with the brand Tonor in the past and because of that I was confident to trust this offering of theirs with ease. Suffice to say it did not disappoint, like their other products I found the build quality to be sturdy yet compliant, durable, and most of all functional. This was especially useful in terms of its ability to just be there when I needed it without taking up too much space where I felt I needed to break it down. Which is convenient for me when inspiration strikes I can just go straight up to the stand and hit record and I’m good to go. The stand is helpful especially when you have a smaller recording interface or micro mixer which allows you to keep it placed there right at your finger tips . Granted, you do keep in mind it won’t take a lot of weight to buckle the clamp, so make sure your gear has a smaller footprint or your whole world may come crashing down.The voice isolator is an upgrade from my previous one as it allows for adjusting of the side panels for more sonic variety, or sound isolation as needed for faster and more professional results. I think this is perfect for the song writer who sometime gets the perfect take but some how got the neighbors taking through the wall, and all the other sounds you get in a smaller space.I really appreciate Timor’s all in one offering here it’s compact easy to manage and has a lot of useful features that seem suit all my needs to record on the fly with out having to fight with my gear too much. I really recommend this one!

So, as someone who doesn't have a fantastically treated room but still likes to record audio content and to have a decent sounding microphone for zoom calls I figured I ought to get one of these insulation shields. This kit came along and it's served it's purpose well.If I were to compare this to sE's range of Reflexion filters, I'd put this on the same tier as the RF-X, though this comes with a tripod and a nifty platform so it seems to offer a bit more bang for the buck. This is useful and definitely cuts down on some of that terrible room echo you hear in a lot of home setups.

Overall for the price, it is worth it for the the mic stand. It is not a boom arm but great for studio work. The foam shield works great at absorbing the sounds during recording vocals. And it is great quality shield, very well constructed. The worst thing in the entire package is the tray. It works but I wouldn't let it hold anything more than a phone in a case. The threads are good quality and are metal so they should last a good long while, just be care when screwing anything on it as to not cross thread, an issue with cheaper metal.Now I will say this is not a magic solution. It will help with your vocal recording but it is not a substitution to a well treated room. This paired with a semi treated acoustic space should give you some good results.

What a nice stand. The tripod is very sturdy and easy to setup. Getting the shield set up was also very easy. The tray clamps on to any part of the tripod you want so it's very versatile. The pop filter is also very easy to attach. I like that I can use any mic I want, attaching any holder that I have. Great product and very easy to use.

This arrived well packaged and assembled in just a few minutes with clear instructions. As I was putting it together, it seemed that, while not heavy duty, it was sturdy enough. However, once you get the tray and the plosive screen AND the mic of your choice on it, it's a bit wobbly. The heavier the mic, the wobblier. I ended up removing the tray to keep the weight down.I tested it out with an AT-2020 large diaphragm condenser I had laying around, as well as an SM-58. It worked great with the AT-2020 and seems designed for LD condensers. With the SM-58, there was just enough room to get it in the clip, forcing the cable down at a 90 degree angle right off the jack. Using a mic cable with a 90 degree female jack solved that problem. But a dynamic mic like the '58 sticks out too far for the screen in its usual semi-circle shape, meaning it's not getting any side shielding. For that, you end up configuring the screen in more of a V shape--doable, but not ideal.All that said, it DID noticeably clean up the sound coming out of both mics in my home studio. The pop filter worked like a pop filter should. So it DOES work as advertised. Just be careful around it once it's fully loaded. I'd rate this a good value for the money, especially if you're going to use it with a lighter weight large diaphragm condenser mic.

When I was unwrapping it I’m like ok okay everything going well and then boom the main part that screws in and hold the isolation shield is gone I’m so done.😂😢

This is good for a beginner at home studio.The packaging was nice. The price reflects the quality. The instructions were clear so it made for an easy set up. Once all set up it was a bit wobbly after putting my microphone on. The sound that resulted was actually really clean and I was impressed with how well it reduced ambient noise. Overall the kit was stable and solid and I have very few complaints.

I have never had a need for this sort of sound setup before so I thought this might be a great place to start. It's a relatively low cost and seemed to be simple to set up. What I found is that it is a little large and a little cumbersome for desktops. The included tripod would probably work best for someone who is standing vs. someone who is sitting. My kit was missing one of the pieces which unfortunately is the one that holds the microphone in place however as I am not currently using the tripod it did not matter and I'm sure the company will send me one. Overall I found the kit to be a great starter kit (assuming you get all the parts) but if you are going to do professional work, you will have to look up market a bit.