Behringer HM-300 Heavy Metal

You're probably here for ONE of two reasons: Either 1.) It's cheap, it's bright pink and it says heavy metal on it. Or 2.) You've heard that this sounds identical to the original Boss HM-2 Heavy Metal, made famous by all those Swedish death metal bands. If you're here for reason 1, skip on this pedal, and go buy the UM300 Ultra Metal (cheap, pink Metal Zone clone), as the HM300 most likely isn't the heavy metal sound you have in mind. The UM300 can dial in a lot more standard metal tones, it's quite versatile and it's actually not that bad. If it's reason 2, then you can definitely believe what you've heard. I have a MIJ Boss HM-2, and I picked this up on a whim as I'd heard what it supposedly does. For £20, I thought "what's the worst that can happen?" especially after hearing the demos. The side-by-side comparisons were spot on. The HM300 is as close as you're going to get to the original HM-2, and if you don't fancy spending £100 in a beaten up, 25 year old HM-2 (or up to £250 on a boutique clone like the Left Hand Wrath which doesn't really sound all that much like the HM-2 anyway), then get this. Obviously the original HM-2 has a certain cool-factor and an everlasting re-sale value, but honestly - and you boutique pedalheads might scoff at this - I now prefer the HM300. The "sweet-spot" is slightly different. The HM-2's sweet spot is all the dials at 10, and the pedal sounds like garbage if you dial in anything BUT that. Whereas the HM300 is similar, though you roll off the "High" EQ (which on some models, they've called "Mid") just a *little* bit, though you can have it full, but it will give you a very cutting tone. which is great for leads, but is far too fizzy for that thick, saturated rhythm sound you're probably looking for. You can also roll off the distortion a little bit (to about 3 o-clock), which still gives you an incredible amount of gain, but it seems to ease off on the throttling compression you get at maximum gain, and the chugged palm mutes start to sound a bit more thrash-like; clear and stabby and less like an atomic bomb going off. That versatility is important for getting it to sit right with your amp. Unlike the HM-2, which if it doesn't sound good with your amp with the pedal's dials maxed out, then you are fighting a losing battle. It sounds like the original, with that added room to maneuver around your amp's natural tone. If your amp is bright, roll off the High. If your amp/cab gets a bit farty with low end, roll off the distortion, to get a much more level chug sound without compromising *that* tone. From my experience, you just can't do that with the HM-2. It's either all or nothing. With this, you have some wiggle room. Not only that, but it sounds GOOD. So close to the original that I feel a bit silly paying £100 for a Boss HM-2 some years ago. The ONLY downside is that it's plastic. For a stomp-box, I am worried as to how many stomps it will be able to take. But the tone is worth preserving, and for such a low price, you could use the money you saved on not buying a HM-2 to get a DIY FX pedal maker/modder to rehouse this for you, into something more resilient, if you really wanted to. Or you could just be careful with it. It's up to you. I am told they are more sturdy than they look and feel by folks who have had theirs a long time. We'll see. I haven't rehoused mine yet, but I am thinking about it. Ignore the reviews saying that it's bad. They just didn't know what they were buying. If you are buying this with either Swedish Death Metal in mind or that crusty grind/hardcore sound like Nails, Trap Them, Black Breath etc (which is pure Swedish Death Metal worship anyway), then you will not be disappointed! If you want a crisp, clear Brown Sound or a modern Metalcore sound, then this won't do it.

Good pedal for the money. Its plastic so might break if youre a bit heavy footed but it sounds great

Absolutely in love with this pedal - it really sounds amazing - it is simple to dial in a range of sounds (I mean they are are rock, punk and metal but with a light touch, is also possible to get a decent overdriven tube tone). The pedal is plastic and this is both good and bad - good because it keeps the price down and I might not have given this a go if it was more expensive (but at this price, well why not) and in fairness, I really quite like the pink - it is not “obvious” like black! All of that said, I really enjoy the sound this little pedal makes and I hope it will last many years (this is potentially the less good) but even then, it does feel quite strong and with care, a long life shouldn’t be impossible. So! In summary, if you like a bit of fuzzy distortion, give this pedal a shot - I play it every day and it brings a smile every time - Swedish Chainsaw is here but as I say, so too is a bit of Metallica, Led Zeppelin and Black Sabbath! If you’re still not sure, from my view, I’ve had a 5150 overdrive ( excellent in every way possible), a Bosss Metal Core (good but not as much fun as this) and and REVV in recent years (good but maybe too brutal for me) and this little Behringer is a star!

So basically a cooy of the legendary boss hm2. If you want to get that Gothenburg / chainsaw death metal tone this is a super budget option. The body is plstic and the battery compartment is a pig to access. Id personally go with a boss hm2 or a rat pedal next time. But for a start its super good

I bought this as I was looking for, you guessed it, the ‘chainsaw’ sound. I’m using this with a Marshall valve amp. The first thing I noticed is that there is no loss of low end, I thought there might be. In fact, it’s possible to dial in low end in spades. Apparently, the go-to setting for the Heavy Metal pedal this is inspired by is everything on ten with the amp on its clean channel, and I can see why - that’s the ‘Swedish Death Metal’ sound - insane yet musical. At 12 o’clock it actually sounds surprisingly similar to my Marshall’s overdrive channel, and one of the best ‘Marshall-in-a-box’ pedals I’ve tried (I’ve tried a lot!). The way I see me using this long-term is as a boost. With the drive at zero, and with the bass and treble both at around 75%, it flavours the amp’s overdrive just enough to create a nice mix between the amp’s overdrive sound and that ‘chainsaw’ sound. When I switch to the clean channel, it sounds compressed and a bit like a dialled-back Rat. It’s been years since I last felt compelled to write a review, this pink pedal deserves one though. I appreciate it’s not Behringer’s own design, but it deserves some credit. I have loads of drive pedals and this one is better than some of the expensive ones. The Behringer ‘Vintage Tube Overdrive’ is another .

倅が私のギターを弾くようになったので、それに併せてセッティングに苦労しないエフェクターをと考えてコレを選びました。 我が家にはZOOMのマルチしかないので、流石に中学生にソレ使わせるのはちょっと、ねぇ。 で、この商品。値段が値段なので、ノイズが酷いのではないか、逆にハイ落ちするのではないか、歪みは強いがチープな音になりはしないか、と心配はありました。その全て、とは云い切れませんが、良い意味で裏切られました。コレとデジタルディレイがあればそれだけで私の好みのメタルメタルした音がします。小規模なライブならコレ一台で十分な音作りが出来てしまいます。 必要十分。コストパフォーマンスは非常に高い商品です。

NEW REVIEW AFTER RECIEVING REPLACEMENT: It's works wonderfully. Make sure that your guitar/pedal cords are meant to use a complete bypass before dismissing. It's a low cost product, with one hell of a performance. I'm very pleased; considering the cost. I use to use a Boss Metal Zone pedal in my younger days; and this behringer pedal does exactly what the BOSS could do- at a sincere fraction of the cost. 6/5 stars! **make sure you have compatible equipment; via cords input/output and such, can't stress this enough** So, I had ordered this pedal thinking it would come with the 9v AC power supply cord.. it did not.. So I researched how to open it to access the 9v battery port; and to keep this short- it did not work or turn on. So, I ordered that power supply; hoping it would work that way.. took 17 days to recieve; but it was to no avail. I just received a les paul gibson classic 1960, and was so excited to improve upon my distortion- get back into the metal days.. needless to say I was extremely disappointed. I have requested a return, and am waiting on the new product. Fingers crossed. I will update this review upon receiving and testing out the replacement.

Funciona bien solo q no venía con cables se tuvo q comprar aparte

Excellent product. And it will be helpful to those who are buying their first guitar pedal. Unless both input and output are inserted with 1/4 cable. The led indicator won't glow and seem like it is not working even when you have installed a 9V battery or powered up with 9V power adapter. Working well with battery but haven't bought the behringer 9vV adapter so can't say much about working with adaptor.

Ein günstiger Klon des berüchtigten und legendären Boss HM-2, der sich nicht vor anderen verstecken muss. Mir ging es, wie vermutlich den meisten, die sich dieses Effektpedal kaufen, einfach nur darum, den Gitarrensound schwedischer Death Metal Bands aus den 1990ern nachzustellen. Genau das tut es auch, wobei der "Mid"-Regler im Gegensatz zum "H"-Regler des Originals so gerade eben nicht auf vollen Anschlag gestellt werden sollte. Bei entsprechender Verwendung tun sich im Netzteilbetrieb so einige Nebengeräusche auf, wobei ich die eher darauf zurückführe, dass der "Gain"-Regler auf vollem Anschlag steht, ob es auch im Batteriebetrieb passiert, kann ich nicht sagen. Stichwort Batteriebetrieb: Die weit verbreitete Meinung, dass es eine Strafe ist, bei Effektpedalen von Behringer die Batterie zu wechseln, kann ich leider nur bestätigen. Um das Batteriefach zu öffnen müssen mit zwei Händen zwei kleine Stifte aus Kunststoff eingedrückt werden, während mit der dritten Hand das Kunstwerk vollbracht werden muss, den Deckel zu lösen und gleichzeitig daran zu hindern, durch die Gegend zu fliegen. Der Zusammenbau ist nicht viel besser. Die Verarbeitung entspricht dem, wofür ich bezahlt habe, es handelt sich um ein Kunststoffgehäuse, das außerhalb des Wohnzimmers oder Proberaums nicht lange durchhalten wird. Der An-Aus-Schalter ist ziemlich leichtgängig, sodass ich öfters fester drauftrete als nötig, weil ein deutlich spürbares Klicken fehlt. Trotz der paar Knackpunkte gibt es von mir die volle Punktzahl, weil das Effektpedal genau dem entspricht, was ich erwartet habe: Eine nahezu detailgetreue Rekonstruktion eines legendären Gitarrensounds, die kein Vermögen kostet.